Minister pledges support for provincial theaters, showcasing Iran’s artistic diversity
Iran’s Minister of Culture and Islamic Guidance Abbas Salehi emphasized the vital role of provincial theaters as a “national asset”, following his visit to the 20th Tehran-Mobarak International Puppet Theater Festival.
He stated, “This asset is something we all must strive to protect, both in the capital and in the provinces.”
Salehi highlighted that the future of Iranian art lies in the provinces, where theater serves as an essential visual representation of the country’s diverse regions, IRNA reported.
During the festival, which opened on December 16 and runs through December 23, Salehi noted that provincial theaters are not merely defined by their geography and natural beauty, but also by their human contributions. “When we see the creativity that combines past heritage, history, and human artistic innovation from a province, we establish a multifaceted connection with that region,” he explained.
The minister pointed out the impressive performances showcased at the festival, specifically mentioning a captivating play from Ardebil that seamlessly blended historical music and mythology, leaving audiences spellbound. “We can see history combined with myth in the performing arts,” he said, urging all stakeholders to harness their efforts to strengthen provincial theater.
Salehi acknowledged the challenges faced by the country but insisted that the commitment to enhancing provincial theater must remain unwavering. “I firmly believe that the future of Iranian art lies in the provinces, where we can witness a vibrant rainbow of diverse artistic expressions,” he asserted. He praised the festival as a lively event with a long-standing history in both Iran and the world. This year, the festival received 380 entries, with about 40 performances showcased. Salehi emphasized the role of live performances in reviving forgotten or fading traditions. “As the puppet festival concludes, the secretariat will begin preparations for next year,” he concluded, signaling a commitment to the continuity and evolution of theatrical arts in Iran.