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Art of wood carving in Golpayegan
The art of wood carving in Golpayegan has a long and storied past, evolving significantly over time. Its origins can be traced back to when our ancestors first recognized the diverse uses of wood. In fact, the history of wood carving in this region is intricately linked to the broader history of wood usage in Iran, which dates back approximately 4,200 years to the Stone Age. This period predates the mass migration of the Aryans and marks a time when locals began to incorporate wood into their building practices, visitiran.ir wrote.
Wood carvers in Golpayegan skillfully depict a wide array of motifs on walnut and pear wood using specialized tools. They create various decorative items by blending the natural textures of tree bark, such as Russian olive and other forest trees, which are then meticulously applied to the surfaces of their carved artworks. Among the products crafted by these talented artisans are photo frames, containers, and intricately designed wood carving boxes, all of which can be found in local art shops and decorative object displays.
The significance of wood carving as an art form is deeply rooted in Golpayegan’s history. Notable ancient examples include the upper parts of the entrance to Imamzadeh Hefdah Tan, the pulpit and door of the mosque in Saravar village, and the door of the mosque in Imamzadeh Abolfotuh Vanshan.
The city has produced many esteemed wood carving masters, including Heydar Qashoqtarash, Habibollah Yadegari, Abdolhossein Moazemmi, the Mokhtari brothers (Ali and Mohammad), Mohammad Reza Tavassoli, Ahmad Mohseni, Mohammad Ali Fakhari, Hossein Fakhari, and Heidar Niknam, who has works displayed in the Imam Reza (PBUH) Museum. Notably, Heydar Niknam Golpayegani is also recognized for restoring the Saheb al-Zamman pulpit in Goharshad Mosque.