Director: Crafting films on ‘Sacred Defense’ requires poetic perspective
Ensieh Shahhosseini, director and writer of the film ‘Missing Hand,’ discussed the cinematic portrayal of the “Sacred Defense” era (1980-1988) at a press conference during the 42nd Fajr International Film Festival.
Shahhosseini expressed her admiration for the late Parvaneh Massoumi, stating that Massoumi’s life was a true miracle.
Shahhosseini emphasized the need for a poetic and cultural perspective when creating films about the “Sacred Defense” and the war.
The press event also featured a tribute to Massoumi, where festival’s president Mojtaba Amini presented a plaque of honor to her nephew.
Shahhosseini highlighted the significance of Massoumi’s life and contributions to the film industry.
Addressing the delay in pursuing the subject of the film after 12 years, Shahhosseini pointed to external factors and expressed her readiness to film scripts during the period when she was not actively working.
Regarding the film’s title and its perspective on the 1979 Islamic Revolution, Shahhosseini underscored the cultural revolution’s approach and the importance of returning human dignity, echoing the ideals of the founder of Islamic Republic Imam Khomeini.
Shahhosseini emphasized her desire to explore hidden aspects of women’s lives during the war, resonating with the sentiments expressed by Lieutenant General Qassem Soleimani.
She clarified that while ‘Missing Hand’ shares a theme with the book ‘Blood Pool,’ the narrative, viewpoint, and interpretation are distinct.
The director defended the use of local actors, stating that celebrity presence could distort the documentary foundation of the film.
She explained that the film aimed to preserve the sanctity of martyrs and deliberately avoided showing certain elements, such as the bones of the women’s hands, to uphold their honor.
Shahhosseini concluded by stating that the film addresses universal themes and stories of women in various situations, both in times of war and peace.