special series on ta’zieh
Ta’zieh, Iran’s national, religious art form
Ta’zieh, a national and religious art form of Iran, symbolizes the harmonious coexistence of art and religion. Throughout history, ta’zieh artists have strived to uphold this religious art form. Despite facing numerous challenges, such as a brief period of obstacles in the second Pahlavi era, ta’zieh continues to thrive in Iran. Among the Ta’zieh artists, Majid Khosrovan is a notable figure, with whom we had a conversation for our special series on ta’zieh.
Born in 1989, Majid Khosrovan holds a bachelor’s degree in cultural management. He currently serves as the director of the religious board of the University of Applied Science and Technology.
Khosrovan’s journey into this art form began at the age of six, encouraged by his father, with his own interest guiding the way.
“I was fortunate to learn from esteemed teachers such as Hashem Fayyaz and the late Rahmatollah Eskandi,” he said.
His first public recital was the ta’zieh ‘Bazaar-e Sham’ – recounting the passions of Imam Hossein’s family – which he recalls with fondness, particularly the excitement he felt when the trumpets and drums were played.
Khosrovan shares some of his cherished memories from performing ta’zieh. One such memory is his first performance as Hazrat-e Abdollah in the ta’zieh of Imam Hossein. He recalls the joy of showing his body, painted blood red to signify his character’s martyrdom, to his family after the performance. He also fondly remembers the anticipation of attending weekly ta’zieh meetings during his childhood.
Khosrovan takes great pride in his ability to evoke the events of Karbala and Ashura through his performances. He believes that performing ta’zieh has a profound impact on a performer’s behavior and morals, serving as a deterrent against committing sins. For him, ta’zieh is a priority in all situations, as it has enriched his life with love and blessings.
Khosrovan expresses his preference for playing the role of Imam Hossein. He finds it spiritually fulfilling when people ask him for prayers in light of Imam Hossein’s role and his ta’zieh costume. He believes that the art form conveys significant messages such as sacrifice, martyrdom, chivalry, and freedom.
“Those who understand and live by these principles will undoubtedly succeed in life,” he said.
Since ta’zieh is a national and religious art form of Iran, Khosrovan has had the opportunity to perform the role of Imam Hossein in four European countries – Finland, Sweden, Norway, and Denmark. His performances were well-received by European audiences. He has also participated in numerous festivals and currently serves on the board of directors of the Ta’zieh Association of Iran. His group has performed over 500 assemblies at cultural centers and universities.
Khosrovan concluded our conversation with the expression of his desire for more support to promote professional ta’zieh. He urged all relevant bodies to contribute to the elevation of this art form.
“I also appeal to anyone who could assist in any way to help enhance and expand ta’zieh,” he said.