Theatrical play ‘The Semicolon’ lies between imagination and reality
Iranian theatrical production ‘The Semicolon,’ co-written and co-directed by Diba Saman and Amir Safiri, straddles the boundary between imagination and reality. Currently, the play is captivating audiences at Tehran’s City Theater’s Qashqaei Hall until June 27.
Discussing the genesis of the performance, Safiri revealed, “While we were engaged in another production, a spontaneous dialogue delivered by Diba Saman, an actress in the play, fascinated me. I encouraged her to continue improvising. Subsequently, I decided to join her since I was meant to act in this documentary-style play myself. However, I soon realized that it would present challenges. Hence, drawing from that very improvisation, we embarked on the writing process, undergoing numerous rewrites until it eventually transformed into the captivating spectacle witnessed on stage these evenings.”
Saman described ‘The Semicolon’ as a non-linear monodrama, unfolding in a unique manner. Its non-linear structure is rooted in several factors. Notably, the recent passing of my mother prompted a flood of memories, with a swift succession of events we had experienced from childhood until her final moments, as her hands intertwined with mine. These recollections, characterized by flashes of both flashbacks and flash-forwards, were etched vividly in my mind. Moreover, this intentional non-linearity is intertwined with the play’s essence. The central character delves into every aspect and event of their life, leaving the audience uncertain of their state of existence. In essence, viewers are left pondering whether the character is alive or deceased. Amid discussions about the stage design, Safiri highlighted the unique amalgamation of expressionistic, surrealistic, and realistic elements within the performance.
He emphasized the team’s dedication to crafting an expressionistic stage design that employs a symphony of lighting, effects, animation, and motion graphics, aiming to transport the audience into a realm where they feel as if they are walking on clouds. Yet, as the performance unfolds, these artistic embellishments gradually fade away, giving rise to a metamorphosis of the show into a hyperrealistic masterpiece. Upon exiting the theater, Safiri urged spectators to pause and engage in introspection. He emphasized the importance of reflecting on the play’s themes, drawing connections, and arriving at a personal conclusion. Safiri expressed his desire for the audience to depart the theater, their thoughts thoroughly provoked and engaged.